Jesuits, Rosicrucions, and Masons, Oh My! Sinister Sites: Sansevero Chapel

A post by FauxMulde at ATS.

This one has it all. Adultery, murder, alchemy, castrations, secret societies, real decaying corpses, amazing (almost impossible) marble sculptures, and more. This is the Sansevero Chapel in Italy.

Before getting into the chapel itself lets take a look at the man who designed it all. He has the conspiracy trifecta. A Jesuit, Rosecrucian, and a Mason. Raimondo di Sangro, the “Sorcerer Prince”

From the age of 10, di Sangro was educated at the Jesuit College of Rome. In 1730, at age 20, he came back to Naples using the title “Prince of Sansevero”. He soon joined the ranks of occult secret societies.

In spite of the religious training that he had received with the Jesuits, the young man soon joined the secret brotherhood of the Rosicrucians, where he was initiated into ancient alchemic rituals, the so called “sacred art” or “king’s art” which had been handed down through the centuries from Egyptian priest to their disciples. Don Raimondo had found his life calling. While maintaining the outmost silence about “his brothers” and the teachings he was receiving (he left no documents whatsoever on the activities of the mysterious sect) the Prince radically changed his life and devoted all his time to alchemy. Vials, ovens and alembics filled the cellar of his palace and at nighttime it was not rare to see strange, colored vapors and disgusting smells coming out of the barred windows of his cellar. It was at that time that Neapolitans started labeling him a sorcerer.”
– Rino Di Stefano, Raimondo de Sangro,
the “Sorcerer” Prince

Di Sangro introduced Freemasonry to his city as he became the head of the Neapolitan Masonic Lodge. This fact, combined with his knack for presenting peculiar inventions, such as an “eternal flame” made from a chemical compound of his creation and human skull bones, only grew the legend surrounding Di Sangro.

This guy was obsessed with alchemy, some even say he could create blood out of water or out of thin air. He dabbled with human sacrifice and human experimentation.

Prince Raimondo di Sangro was known as an eccentric, enigmatic, and mystical man. He was the head of the Neapolitan Masonic lodge, the symbols of which are interspersed throughout the chapel, and was a student of numerous areas of the sciences, as well as alchemy and other mystical disciplines. He also spoke several exotic languages such as Hebrew and Arabic and was an inventor, some of his inventions of which were rather bizarre, such as a mechanized carriage with wooden horses that was said to be able to travel over both land and water.

These eccentricities led to the Prince garnering a reputation as a practitioner of wizardry and black magic, and rumors abounded that he performed sinister magical rituals, human sacrifices, and curses. It was also said that he could perform great feats of alchemy, such as creating blood out of water or even thin air, and that he used the various body parts of his sacrificed victims in his odious spells and potions. The Prince was said to lock himself away for days on end and perform demented experiments on human beings, such as reanimating the dead. These dark rumors and legends that swirled around the Prince made him into a man to be feared and avoided; a larger than life black sorcerer who could bend magical and natural forces to his will. The Prince did little to deny these rumors and it is thought that he even encouraged them.” – Brent Swancer, The Bizarre Anatomical Machines of Italy

But that isn’t the worst of it. This next part is truly disgusting human behavior.

One of di Sangro’s many “hobbies” was Bel Canto, which means “beautiful singing”. Sounds good, doesn’t it? Who doesn’t appreciate beautiful singing?

However, for di Sangro, “Bel Canto” means buying little boys from impoverished parents, castrating them and forcing them to sing.

In spite of his being acquainted with the pleasures of family life and having children (…), the Prince enjoyed going around his many estates looking for young boys with beautiful voices. Usually he would find them in the church choir. Then he would “buy” them from their parents (usually poor, illiterate peasants who had many children) and had his personal physician, don Giuseppe Salerno, castrate them. He would then lock them up in the Conservatory of Jesus Christ’s Poor in Naples, where these young castrated boys started their careers as “sopranist”.

Now for the temple.

Before it was transformed by Raimondo di Sangro, the Sansevero Chapel was already the subject of bizarre rumors. It was said to have been constructed on an old temple of Isis and, to prove this fact, locals point to a massive Statue of the God of the Nile, located just around the corner from his home.

Adding to the sinister factor, the Palazzo Sansevero was the scene of a brutal murder at the end of the 16th century, when the composer Carlo Gesualdo caught his wife and her lover together and hacked them to death in their bed. Up until 1888, a passageway connected Palazzo Sansevero to the Sansevero chapel.

The marble statues contained are amazing. They are so well done that some people including art buffs and art media have been fooled by the work. Some say it is impossible to chisel such things in marble and say it must have been done through and alchemy process. Regardless, I find these statues amazing.

The Veiled Christ.

The works of art in the Sansevero Chapel are indeed unique, powerful and unsettling, forcing visitors to ask: “How did he do that”? And, when one knows the esoteric and alchemical background of the Prince, observing them leads to the question: “Was this done through an occult process?” The most compelling example of this is The Veiled Christ. Set in the middle of the chapel, this sculpture of Christ covered by a thin veiled has an unnerving quality: How was this marble sculpture made using a block of stone and a chisel? The veil is too … real.

“Completed in 1753 by Giuseppe Sanmartino and commissioned by Raimondo di Sangro, it portrays Christ deposed after crucifixion, covered by a transparent veil. This veil is rendered with such subtlety as to be almost deceiving to the eye, and the effect seen in person is really striking: one gets the impression that the “real” sculpture is lying underneath, and that the shroud could be easily grabbed and lifted.

It’s precisely because of Sanmartino’s extraordinary virtuosity in sculpting the veil that a legend surrounding this Christ dies hard – fooling from time to time even specialized magazines and otherwise irreproachable art websites.

Legend has it that prince Raimondo di Sangro, who commissioned the work, actually fabricated the veil himself, laying it down over Sanmartino’s sculpture and petrifying it with an alchemic method of his own invention; hence the phenomenal liquidness of the drapery, and the “transparence” of the tissue.” – Bizarrobazar, The Mystery of Chapel Sansevero

 

For centuries, a “black legend” surrounded this sculpture and others in the chapel that held that the Prince used a mysterious alchemical process to “marbelize” a fine cloth placed over the sculpture.

Some observers noticed a troubling detail about that sculpture: Christ appears to still be breathing.

“There may be another small “anomaly” in this Veiled Christ, as there is a slight indentation over the nostril, as if the shroud is being sucked in by breath – is this “dead Jesus” alive? Did di Sangro believe that Jesus had not died on the Cross? If so, perhaps he was not only a Mason, but a member of another, even more mysterious, order?

This isnt the only sculpture with the amazing veil work. Next to it is The Chastity.

On the left of Veiled Christ is The Chastity, a sculpture modeled after di Sangro’s mother Cecilia Caetani d’Aragona. The naked woman is covered from head to toe by a thin veil which reveals her forms in every detail. This work of art is, once again, another “supernatural” feat of sculpture. How can this effect be achieved using marble?

“The Chastity (La Pudicizia) by Corradini, with its drapery veiling the female character as if it was transparent, is another “mystery” of sculpting technique, where the stone seems to have lost its weight, becoming ethereal and almost floating. Imagine how the artist started his work from a squared block of marble, how his mind’s eye “saw” this figure inside of it, how he patiently removed all which didn’t belong, freeing the figure from the stone little by little, smoothing the surface, refining, chiselling every wrinkle of her veil.” – Op. Cit, Bizarrobazar.

Get ready for some Freemasonry.

Although the statue was modeled after di Sangro’s mother, it is clearly a tribute to the most important figure in Freemasonry: Veiled Isis.

“The veiled woman can be interpreted as an allegory of Wisdom, and the reference to the veiled Isis, special divinity of the science of initiation.” – Made in South Italy,

The Alchemist Chapel Indeed, in occult symbolism, Veiled Isis is the ultimate representation of occult mysteries where the truth is veiled to the profane until true esoteric initiation.

To the modern seeker she is the epitome of the Great Unknown, and only those who unveil her will be able to solve the mysteries of life, death, generation, and regeneration.”
– Manly P. Hall, The Secret Teachings of All Ages

Maybe some of out resident Masons can comment on those statements.

Locals claim the location of The Chastity is exactly where the Isis statue was when the temple was an Isis temple.

Accross from The Chastity is yet another amazing work called Disillusionment.

Another perplexing sculpture infused with profound symbolism. Modeled after the Prince’s father Antonio di Sangro, it depicts a man struggling to free himself from a net as he is being helped by a winged youth.

Once again, a mystery surrounds this sculpture: How can a net be sculpted over a body that appears to have been already sculpted underneath? Was an alchemical process used to achieve this astonishing result?

Not unlike The Chasity, this sculpture is an allegory for a fundamental Masonic concept: The freeing of Man using the intellect.

“Its allegorical meaning is that man is intent on freeing himself from false beliefs (the net) with the aid of the intellect (the young man).” – Rino Di Stefano, “San Severo”

Put the three together and what do you get?

these three sculptures constitute an “esoteric triangle”. With The Chastity on the left (representing the female principle), Disillusionment on the right (representing the male principle) and Veiled Christ in the middle (representing the “perfected man”), the sculptures esoterically represent the most fundamental hermetic principle: Duality merging to create a perfected being.

In occult circles, this concept is personified by Isis and Osiris uniting to create Horus – the perfect being.

Now we get creepy! Adam and Eve.

What the heck are those things might you ask? Well, they’re exactly what you’re hoping they are not. And maybe worse. This exhibit consists of two actual skeletons of a mature male and a pregnant woman. Their entire nervous system is exposed, where the arteries are colored red and the veins are colored blue.

The fetus of the pregnant woman was on also originally on display but the specimen mysteriously disappeared.

How did Raimondo di Sangro preserve the nervous system of these human remains? Well, that’s a mystery that keeps on being mysterious. And, once again, a “dark legend” surrounds these “anatomical machines”. It was indeed rumored that “Adam and Eve” were two servants of di Sangro who were injected with a substance that crystallized their nervous system – killing them in the process. Here’s a dramatic account of the legend:

Not for the squeamish:

“The Prince, just like a sorcerer, is stirring the preparation in a big cauldron. Eventually, the long-awaited reaction takes place: a mysterious liquid is ready. On the other side of the room, the two bound and gagged servants can’t even scream anymore. The man is sobbing, while the woman, even immobilized, stays vigilant and alert — perhaps the new life she carries in her womb prevents her from giving in to fear, commanding an already impossible defense. The Prince hasn’t got much time, he has to act quickly. He pours the liquid down a strange pump, then he gets close to his victims: in their eyes he sees an unnameable terror. He starts with the man, puncturing the jugular vein and injecting the liquid right into his bloodstream with a syringe. The heart will pump the preparation throughout the body, and the Prince watches the agonizing man’s face as the dense poison begins to circulate. There, it’s all done: the servant is dead. It will take two to three hours for the mixture to solidify, and surely more than a month for the putrified flesh to fall off the skeleton and the network of veins, arteries and capillaries the process turned into marble. Now it’s the woman’s turn.” – bizzarrobazar, The mysteries of Sansevero Chapel

There is plenty that I left out here. Please check out this conveniently clickable link to read more about this mysterious temple.

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